The Secret History of Democracy

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The Secret History of Democracy explores the intriguing thesis that there is a lot more democracy in human history than historians generally admit, and presents some surprising evidence for this case. The idea that democracy could have a 'secret' history might at first seem strange. Indeed, the history of democracy has become so standardized, is so familiar and appears so complete that it is hard to believe it could hold any secrets. The central argument of this book is that there is much more to the history of democracy than this foreshortened genealogy admits. There is a whole 'secret' history, too big, complex and insufficiently 'Western' in character to be included in the standard narrative.

In exploring this 'secret' democratic heritage, the contributors to this volume establish that democracy was developing in the Middle East, India and China before classical Athens, clung on during the 'Dark Ages' in Islam, Iceland and Venice, was often part of tribal life in Africa, North America and Australia and is developing today in unexpected ways through grassroots activism. This book is a timely collection of essays that make a substantial contribution to the emerging debate about the history of democracy and set the tone for future discussion and research.

Reviews

"This exciting book surely enlivens and enriches our debate on democracy and its future by digging afresh oft-forgotten, yet most enlightening democratic experiences found in human history."
- Takashi Inoguchi, Professor Emeritus, University of Tokyo and President of the University of Niigata Prefecture, Japan
 
"The thought-provoking essays gathered in The Secret History of Democracy provide convincing evidence that democratic mechanisms have been invented many times and in many places, including times and places neglected in common accounts. This collection is a sobering reminder that democratic practices have often been succeeded by something else. But one also takes away a sense of the dynamic character of democratic history and the endless diversity of practices with some reasonable claim to embody democratic principles. As growing numbers wonder about what sorts of political institutions make sense in the face of the enormous problems confronting the twenty-first century, this demonstration of the long human history of political creativity gives some reason for hope."
-John Markoff, Professor, University of Pittsburgh, USA
 
"A fascinating, thought-provoking and well-informed survey of little-known "roots of democracy" and "proto-democratic" systems and movements across the globe , from ancient and "primitive" to modern societies. An eye-opener that forces us to differentiate more carefully and to rethink the history of democracy."
- Kurt Raaflaub, Emeritus Professor, Brown University, USA

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PhD Project

Discourses of Democracy: 'Oriental Despotism' and the Democratisation of Iraq

Abstract:

The discourses of ‘Western democracy' and ‘Oriental despotism' provide for us a lens through which to view both contemporary political developments and the ideological and historical context in which they occur. Illuminating this optic is a particular vision of the past in which the West imagines itself to have an exclusive claim to democracy, to be the legitimate legatee of this advanced form of governance and burdened with the responsibility of spreading this doctrine amongst the uncivilised ‘lesser breeds'. Paradoxically, the political history of the East is viewed as a dark and brutal wasteland in which megalomania, tyranny and bloodshed has always triumphed, creating a cultural and historical landscape that is antithetical to inclusion, diversity and debate. This project therefore begins by documenting the genealogy of the juxtaposition between these ‘discourses of democracy', tracing their twin histories back through many of the seminal texts of the Western scholarly and literary canon. Moving forward, it notes that this lens has often been brought to bear on the political history of Iraq , reducing the complexities of Iraqi politics down to an austere picture in which the benighted and savage Iraqis are seen as simply incapable of civilising, modernising or democratising. Most recently, the Western mainstream media has invoked this long-held and deep-seated picture of Iraq in its coverage of the democratic elections and referendum held across the nation in 2005. Here, the successes and complexities of post-Saddam Iraqi politics were covered in a highly racialist and overly dismissive lexicon, one that emphasised the political ineptitude of Iraq despite the best efforts of the West.

In order to see beyond the doctored image provided for us by the ‘discourses of democracy', this thesis utilises a body of work referred to here as critical theory. By employing such scholarship, this project navigates between ‘Western democracy' and ‘Oriental despotism', it investigates their internal contradictions, identifies the gaps and fissures that fall between them and illuminates alternate histories and narratives of democracy as they pertain to Iraq. To develop this more complex and nuanced picture of Iraqi politics, this project focuses on four key periods in the history of Iraq that demonstrate the nations long struggle towards egalitarianism, collective governance and democratic reform. Beginning with ancient Mesopotamia , this study finds the political system of ‘Primitive Democracy' in widespread use across the region from the very earliest days of civilisation itself. During the Colonial period (1921-1958) we find that despite British occupation and Hashemite hegemony, the Iraqi populace nonetheless fosters a thriving public sphere of political dissent and pro-democracy movements. This continues throughout the series of oppressive regimes that constitute Post-colonial Iraq (1958-2003) where the central states manipulation of the ‘discourses of democracy' ultimately undermines their authority and provides the vacuum in which various ethno-religious political factions emerge and strengthen. Finally, Re-colonial Iraq (2003-2005) is not only witness to extensive attempts by both foreign and domestic powers to control the parameters of debate and discourse, it is also home to an unprecedented spike in political parties and media outlets keen to encourage a more inclusive political order. A more thorough analysis of Iraq 's political history therefore reveals an alternative and more complex lens through which to view Iraq 's past and present. On the one hand it illuminates the Iraqi people's resistance of oppression and tyranny as well as their struggle towards a more robust and democratic order. On the other, it brings to light various questions about the democratic nature of the West, undermining its claims of democratic exclusivity and bringing to light its potential as a force of tyranny and despotism.

This study concludes with an examination of the implications and questions it raises and by identifying recommendations and opportunities for future research. Foremost amongst these however, is the projects final assertion that further work needs to be done in order to salvage democracy from discourse. It argues that we need to move beyond the reductive and simplistic ideologies implicit in the existing ‘discourses of democracy' towards a more inclusive and robust narrative, one that includes marginalised movements, histories and stories. This would not only help to see beyond the lens provided for us by ‘Western democracy' and ‘Oriental despotism' as it pertains to Iraq, but to develop a more kaleidoscopic image of democracy itself.

All rights remain with the author. No unauthorised citation is permitted although all comments are welcome.

 

Reviewer Report 1:

“It is a pleasure to read this dissertation not only because of its timeliness but also because of its focus on the endemic problems of neoconservative discourse which are an aggressive polemics of Orientalist ideology and its racist compounds since the late eighteenth century. The whole idea of discussing discourse as the base for ideology and action is of great significance as it uncovers the camouflage that dupes and deceives mass audiences especially whenever the media is manipulated by big business whose interest decide the whole idea of war. What Isakhan has been doing is to lay bare the formations of these discourses whose base is democracy which means no more than a piece of jargon that hides destruction, looting, mass killings, genocide, destruction of cities, the international demolishing of a good infrastructure that has suffered under the sanctions… Isakhan dwells on the election as part of the game to legitimize invasion. He exposes the whole as no more than a farce… The division of the work is good in the sense that the elections of 2005 become a base for analysis with special attention to critical theory… In both discourse analysis and the amount of information used for analysis and the methodologies called for to uncover sham ideology, the dissertation is excellent and deserves great recognition. I am glad I read it and I am pleased that the author has reached such conclusions.”

Professor Muhsin Jassim Al-Musawi
Professor of Arabic Literature
Centre for Middle East and Asian Languages and Cultures
Columbia University
Author: Reading Iraq: Culture and Power in Conflict (I. B. Tauris, 2006)

Reviewer Report 2:
“The thesis begins with Oriental myths and explores ancient and more recent colonial history, to investigate contemporary Iraq. It is appropriately heavily influenced by the ideas of Edward Said… The thesis addresses ancient cosmology, including the election of Marduk, which I for one had not understood the links with modern approaches to democracy. The argument was sound and convincing and constitutes an original contribution to knowledge.”

Professor Alan Knight
Professor of Journalism, Media and Communication
Creative Industries Faculty
Queensland University of Technology
Author: Reporting the Orient (Xlibris, 2000)

 

 

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